Protecting Creative Space
Protecting creative space is something that I am quite passionate about. Particularly space where the artist is doing transformative work that is risky and perhaps not recognized and validated by the world.
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Protecting creative space is something that I am quite passionate about. Particularly space where the artist is doing transformative work that is risky and perhaps not recognized and validated by the world.
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Matilija was the name of a Chumash village by a river in what is now called Meiners Oaks about an hour and a half north of Los Angeles. It is also the name of a mythical figure of legend, Chief Matilija, which tells the creation story of the Matilija Poppy. It’s a love story, of course.
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It was the third day and I was crying. I didn’t feel sad, but it was just coming out of me. And my helper visited and I was crying and she said I could come down and I said, no, I’ve got one more night and I really am ok, I really am, I am just crying and I don’t know why and I will come down in the morning.
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I didn’t want to come back. That’s the truth. I was exiled, abandoned, a failure, but I didn’t want to come back. I found peace in the garden and I am still reconciling the need to be in society, survival, identity and telling the truth.
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